As the brother of a young, amazing man who we lost due to another genetic ailment (CF), whenever I see stories like this, it makes me so hopeful for families in the future never having to see a loved one deteriorate due to a bad roll of the dice.
Hats off to everyone out there putting in the hours to make the lived experience of these folks much better than they would have otherwise been. If only we had more of you in the world.
Spina Bifida is not primarily a genetic disease. It's caused by a failure of the neural tube in the developing embryo to close fully. No one knows the exact causes, but folic acid deficiency in the mother before and during pregnancy makes it more likely. It also seems to run in families a little, but only weakly, and we haven't identified any specific genetic cause. This treatment is very promising, but it's not a cure, just a (hopefully) even better treatment than the existing in-utero surgery that doesn't include stem cells.
> I’m a sensible moderate on the killbot issue (we’ll probably get them eventually, and I doubt they’ll make things much worse compared to AI “only” having unfettered access to every Internet-enabled computer in the world)
Crikey, this isn't sensible, this is completely misanthropic and nihilistic. How can anyone be ok with a machine unilaterally deciding (outside of the courts or any other check mechanism) to murder someone?
I also take issue with the author's postulation that the Defense Production act could be used here. It's one thing to make sheet metal companies build plane parts, but requiring companies to be put themselves "in the loop" so to speak with regards to actual military strategy or defense puts those companies and their employees at unwilling and extraordinary risk. It's basically enlistment. Plus, it can only be used in extraordinary circumstances.
There's actually another possibility here: Anthropic really doesn't care about being in the loop, and are protesting as theater, but behind the scenes, hammering out a deal with the Pentagon, and they'll help under classified status, and none of us will be the wiser.
It is a perfectly fine rhetorical device, and I don't consider a text that just has that to be automatically LLM-made. However, it is also a powerful rhetorical device, and I find that the average human writer right now is better at using these than whatever LLM most people use to generate essays. It's supposed to signify a contrast, a mood shift, something impactful, but LLMs tend to spam these all over the place, as if trying to maximize the number of times the readers gasp. It's too intense in its writing, and that's what stands out the most.
If you broaden the definition of "stolen identity" to "someone trying to scam either you or someone else by using details on your identity" (which this story more or less is) I think a fair many of us can claim this experience.
> He gave me the standard line: 2-3 weeks if I hear from anyone.
> I never heard from anyone.
What is the FBI doing if they're not working on cases like this or domestic terrorism/mass shootings? We continue to have both classes of crimes in droves.
Sorry no it doesn't prove my half joking claim it only documents a single case of a high profile terrorist plot from a small group that was led by an FBI informant, containing another 4 informants and agents, and funded by the FBI in which they had trouble convicting several defendants (despite a 95%+ conviction rate normally) for some reason no clue why.
Where is the proof to your claim the FBI informant “led” the plot as opposed to being aware and involved in the same group (how informants work to get inside information)
Because a lot of scammers are overseas in countries that either won't extradite and/or cooperate with investigators. Why focus on those cases when no one will face justice?
But if you do nothing, it enables people in countries that DO extradite and cooperate to get in on the fun, too. I guess that's just being nice to our allies.
The FBI does not have a mandate to investigate all reported crimes. AFAIK, no law enforcement agency does. They triage the reports, and most reports don't get investigated.
Most mass shootings don't have a lot of the FBI to investigate. The perpetrator often dies on site, so they can't be charged with anything. FBI will likely investigate if there were any co-conspirators, and may work with ATF to determine how the perpetrator obtained the firearm(s). Many times we hear that the perpetrator was "on the FBI's radar", but most of the time, there was no unlawful conduct before the shooting, so what are they supposed to do?
You end up investigating it yourself and they still don’t care. Definitely changed my view of the cops when we got robbed by our neighbor in Buffalo, NY
Slow Horses is so equal-opportunity with how it hands out ineptitude. About the only character on the show who isn't inept is Lamb (Gary Oldman), but is such a wretched character, you could actually hardly find a moment to root for him. It's fantastic.
I like to think of Lamb as an inverse Columbo - he's rude and horrible to people rather than Columbo's charm. They share the grubby look and intelligence.
Nooo, the character is such a wretched human that you can't help but root for him.
He's being an ass in order to push people to do better, and at the end of the day (over and over again) he cares about Justice or at least the National Interest, but he cares about the Slow Horses more (in his way).
The flatulanece (et al) works as a filter: can you see past the boorishness?
I'd argue that Coe is more than competent, just, you know, detached most of the time. Lamb always knows what needs be done, just never shares, and often lets things happen until what needs be done happens on its own or is inevitable.
Coe has extraordinarily high SA and makes decisions immediately. They might seem impulsive, but when he acts, it is always with forethought.
Coe is insightful and good at violence, but also (!spoiler for latest season) responsible for the most hilariously unfortunate cock-up of the show so far…
Lamb is more like a teacher, he'll let you make your own mistakes until the situation is about to go FUBAR, then he'll step in and save it and show you where you went wrong.
As you described, because he keeps to himself, he comes off as a loose cannon, which feels to me like something you wouldn't want on a coherent spy team, but nonetheless is so fun to watch, which is the point, really.
I would argue Taverner is meant to be very competent, although she of course has her own flaws, and his hardly a character for one whom is meant to feel sorry
For me the books have depth that the TV series doesn't – and can't – have: some of the plots are dumbed down a bit to give more visual impact, and of course you don't get the same depth of characterisation, or the insights into Lamb's and the others' pasts because much of it comes out in interior monologue, and it's much harder for the shows to, erm, show.
And you miss one of the glories of Herron's writing: as a stylist is on a par with Terry Prachett for cramming wisdom into short witty phrases. He is very good at memorable phrases skewering contemporary life, and particularly politicians. The shows bring some of this out, but there's only so much that you can do in dialogue.
Take this passage from the first book:
> Peter Judd. PJ to his friends, and everyone else. Fluffy-haired and youthful at forty-eight, and with a vocabulary peppered with archaic expostulations – Balderdash! Tommy-rot!! Oh my giddy aunt!!! – Peter Judd had long established himself as the unthreatening face of the old-school right, popular enough with the Great British Public, which thought him an amiable idiot, to make a second living outside Parliament as a rent-a-quote-media-whore-cum-quiz-show-panel-favourite, and to get away with minor peccadilloes like dicking his kids’ nanny, robbing the taxman blind, and giving his party leader conniptions with off-script flourishes. (‘Damn fine city,’ he’d remarked on a trip to Paris. ‘Probably worth defending next time.’) Not everyone who’d worked with him thought him a total buffoon, and some who’d witnessed him lose his temper suspected him of political savvy, but by and large PJ seemed happy with the image he’d either fostered or been born with: a loose cannon with a floppy haircut and a bicycle.
Herron, Mick. Slow Horses: The bestselling thrillers that inspired the hit Apple TV+ show Slow Horses (Slough House Thriller 1) (p. 187). (Function). Kindle Edition.
That is a brilliant piece of characterisation, and if you know anything about British politics, you know exactly who he's describing, and how accurate a character assassination this is. The TV show's Peter Judd goes out of its way to make the character a lot more generic – their Judd is merely 'typical cynical nasty venal politician' and it loses a bit of force accordingly.
Or take the set piece descriptions which start every book: they recreate the seedy world of Slough House in a way that the shows can only hint at.
Not to say the shows aren't very good – they are one of the best things on TV – but the books are even better.
Yeah, I mean he has a lot of really strong flaws that almost seem purposefully to put one off (which could be his whole angle, who knows), but between his drinking, terrible health, horrid treatment of his team (who, yes I know, he actually does care for), you're often not on his side, but more eager to see how what he's put in place will unfold.
I think UI innovation requires truly novel interaction mediums. Likely, the only innovations left are predicting user behavior using AI, so essentially putting what you're looking for right in front of you before you even knew you wanted it. I haven't seen anyone do this well yet.
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