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You’re in good company. Tom Standage makes the same argument in his book A History of the World in Six Glasses.

https://www.goodreads.com/book/show/3872.A_History_of_the_Wo...


Nathan Mayer Rothschild probably died of staphylococcal or streptococcal septicaemia, either from the abscess or secondary contamination from the surgeon’s knife. Today that infection would almost certainly be cured with standard antibiotics.

No offence intended but wavefunction is very low-quality.


Apple has an active team editing OpenStreetMap and their maps use OSM data in many countries. I see them making edits in my country regularly (they tag changesets with “#adt” so they’re quite visible). More info on the OSM wiki and their GitHub repo:

https://wiki.openstreetmap.org/wiki/Apple

https://github.com/osmlab/appledata/


I came here to say the same thing. Opening a new issue of The New York Review of Books or the London Review of Books are two of the great pleasures in life.

https://lrb.co.uk/ https://www.nybooks.com/


The Digital Antiquarian had a thoroughly interesting article on Chris Sawyer and his work not too long ago:

https://www.filfre.net/2020/10/transport-tycoon/


“Coming from a country where mapmakers tend to exclude any landscape feature smaller than, say, Pike’s Peak, I am constantly impressed by the richness of detail on the OS 1:25,000 series. They include every wrinkle and divot of the landscape, every barn, milestone, wind pump and tumulus. They distinguish between sand pits and gravel pits and between power lines strung from pylons and power lines strung from poles. This one even included the stone seat on which I sat now. It astounds me to be able to look at a map and know to the square metre where my buttocks are deployed.”

— Bill Bryson, Notes from a Small Island (1997)


USGS maps are the US equivalent and slightly more detailed than he indicates:

https://caltopo.com/map.html#ll=38.79182,-105.01797&z=11&b=t...

(That's a tile map, but they were originally available on paper, as described at the linked story)


As usual with Bryson he turns to hyperbole to make a point. The USGS maps are pretty good


It’s happened in politics for a long time. Two decades ago, a political advisor in the British government sent an email on 11th Sept 2001 saying the day was “a very good day to get out anything we want to bury”. It didn’t go down well, but others have been much more subtle.

http://news.bbc.co.uk/2/hi/uk_news/politics/1588323.stm


I know what you mean, but I think it’s more down to the fact that it’s broadcast live on BBC radio, and they have 45 minutes to cover as much as they can of the week’s topic. The host, Melvyn Bragg, has to run a tight ship to keep the guests from drifting from the topic or going in to too much detail. (The opposite problem — a poor chairperson — is often why meetings at work can drag or seem unfocused.)

I love In Our Time. Broadcast since 1998, a podcast since 2004, over 800 episodes. And almost every single one is pure gold.


I agree with you. I find Melvyn Braggs rudeness quite useful. (And it doesn't seem like the quests mind. I mean, they're adults, they can handle some pressure to be succinct.)


> Plus you’ll be able to see the Eiffel Tower

A story about Guy de Maupassant always makes me smile. He hated the Eiffel Tower (“I left Paris and even France because in the end, the Eiffel Tower annoyed me too much”) and yet supposedly ate lunch there every day. Why? Because it’s the only place in Paris where you can’t see the Eiffel Tower.

https://www.thevintagenews.com/2016/09/20/priority-french-wr...


At the end of the original article:

> It is not the case that these oaks were kept for the express purpose of replacing the Hall ceiling. It is standard woodland management to grow stands of mixed broadleaf trees e.g., oaks, interplanted with hazel and ash. The hazel and ash are coppiced approximately every 20-25 years to yield poles. The oaks, however, are left to grow on and eventally, after 150 years or more, they yield large pieces for major construction work such as beams, knees etc.


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