Resounding notions of Object Oriented Ontology[1] in Cinema[2][3] here, which is very much about pick out & possibly stitching together key items from film.
> "All of the elements of a shot’s mise en scène, all of the non-relational objects within the film frame, are figures of a sort. The figure is the likeness of a material object, whether that likeness is by-design or purely accidental. A shot is a cluster of cinematic figures, an entanglement. Actors and props are by no means the only kinds of cinematic figures—the space that they occupy and navigate is itself a figure"
> "All of the elements of a shot’s mise en scène, all of the non-relational objects within the film frame, are figures of a sort. The figure is the likeness of a material object, whether that likeness is by-design or purely accidental. A shot is a cluster of cinematic figures, an entanglement. Actors and props are by no means the only kinds of cinematic figures—the space that they occupy and navigate is itself a figure"
And the words they say, as seen here.
[1] https://en.wikipedia.org/wiki/Object-oriented_ontology
[2] https://larvalsubjects.wordpress.com/2010/05/03/cinema-and-o...
[3] https://sullivandaniel.wordpress.com/2010/05/02/film-theory-...