>So scarcity pays no role in value? Is the Mona Lisa not valuable?
You're mixing up things. I can draw a one-off picture, that doesn't make the drawing valuable (sadly. If you want to buy my paintings, hmu). The value needs to be attributed by a shared denominator, which for the example of Mona Lisa is cultural prestige. Crypto has zero inherent cultural prestige, it's only value lies in social attribution. Wallets on hard drives are meaningless unless we decide that they aren't. The mona lisa isn't worth what it is if we decide otherwise, but it does have inherent value. Crypto does not. For crypto to have value, someone else needs to pay Dollar/Euro/whatever at an exchange. That's the value of crypto - the exchange rate.
> For crypto to have value, someone else needs to pay Dollar/Euro/whatever at an exchange. That's the value of crypto - the exchange rate.
This is true for every economic good, including paintings. Whether the value is "inherent" or not is irrelevant, you need a transaction or the value is just theory. Culture could also forget about the significance of the Mona Lisa, it has happened before, see for example https://en.wikipedia.org/wiki/Archimedes_Palimpsest, a mathematical text that our culture considers having very high value, but was overwritten into a prayer book by a culture that considered the work less valuable than the material it was written on.
OK, maybe the Mona Lisa was not a good example. But if somehow Da Vinci had produced a billion copies of the Mona Lisa it would not be nearly as valuable! My other point in that paragraph was that if a country prints more units of currency the value goes down, so scarcity is important to value.
Scarcity isn't 100% important for value - leverage is. Leverage can be tied to scarcity, but doesn't have to, it all depends on the goods which are being exchanged. Artworks exist just once, coupled with the attributed prestige the value increases. Guns exist a bunch, their price doesn't scale relative to their scarcity. Food is not priced relative to the amount on the market, but to the demand of the consumer. If the demand is high and so is scarcity, the price rises, but if demand is low but scarcity is high, the price stays low. [...]
Modern art reproducers can make copies of the Mona Lisa that experts can't easily distinguish from the original. This kind of replica fraud happens often in the art world. I find it interesting to try to justify the value of the original when it is almost zero cost to have an exact replica of the original. The scarcity is not real, or at least the scarcity of being able to enjoy the intrinsic value of looking at the painting is not real. When you remove that part, the value lies only in being able to verify the authenticity of the work, rather than in its quality as art.
Ha, nice. Problem: art receives value wrt the artwork, not the canvas, so the screenshot-meme wins. (Unless the cultural prestige lies in the underlaying technology itself, in which case the piece of art is the blockchain-implementation, not embedded content)
If an artist signs an NFT or Colored Coin with a keypair that is associated with their public identity, shouldn't that be analogous to an autograph? If a physical, signed artistic work has more value than an unsigned work, does that mean that if you take the physical artistic work out of the equation you're left with the value of the signature? It's a funny question I guess. Like imagine people collecting PGP autographs.
Maybe art has some intrinsic value, but I think a large part of the "value" of an art piece is associated with the cultural relevance of the piece. It would follow that if you can associate a transaction output with some cultural relevance in the same sense that traditional artwork does, then it could have value, albeit not much.
> Problem: art receives value wrt the artwork, not the canvas, so the screenshot-meme wins.
This assumes that an original painting and a perfect replica of it have equal value. That might be the case if you don't know which is the original, but in the case of the Mona Lisa - and in the case of the NFT - you almost certainly can figure that out.
You're mixing up things. I can draw a one-off picture, that doesn't make the drawing valuable (sadly. If you want to buy my paintings, hmu). The value needs to be attributed by a shared denominator, which for the example of Mona Lisa is cultural prestige. Crypto has zero inherent cultural prestige, it's only value lies in social attribution. Wallets on hard drives are meaningless unless we decide that they aren't. The mona lisa isn't worth what it is if we decide otherwise, but it does have inherent value. Crypto does not. For crypto to have value, someone else needs to pay Dollar/Euro/whatever at an exchange. That's the value of crypto - the exchange rate.