I don't know. Music streaming services do pretty much follow this separation of content and service. At least unless you really care about exactly which music you can access which I think most people don't.
(That's probably partly why music streaming services don't compete on content; most people don't care exactly which funky music they're listening to as long as it is funky, and had most of the popular stuff. But they definitely care if they want to watch Stranger Things and they can't watch Stranger Things but maybe you're interested in these other crap knock-offs?)
Anyway the point is music streaming services still find ways to compete. I guess they would prefer it if they could compete on content though.
> (That's probably partly why music streaming services don't compete on content; most people don't care exactly which funky music they're listening to as long as it is funky, and had most of the popular stuff. But they definitely care if they want to watch Stranger Things and they can't watch Stranger Things but maybe you're interested in these other crap knock-offs?)
Idk. I can imagine an alternate universe where Taylor Swift's new album was exclusive to Spotify. All the Swifties using Apple Music probably aren't interested in "Taylor Swift knockoffs".
It's not entirely obvious to me why this hasn't happened.
They do compete on content. How many billions did Spotify spend on Joe Rogan? And it happens with music too, some bands moved away from Spotify in rage recently and at least one person switched to Tidal to keep listening to KGLW https://www.theguardian.com/music/2025/jul/26/king-gizzard-a...
That said, my interpretation is that bands don’t really make a lot of money from streaming, it’s more of a promotional platform for them so it makes sense to just be everywhere to be seen. This is not true for tv/films.
I think steaming just represents such a small share of revenue for professional musicians that negotiating over it isn't worth the headache for the most part. For Swift in particular, touring definitely represents the overwhelming majority of her income.
>Anyway the point is music streaming services still find ways to compete.
Some recommendations and playlists I guess. Most of us (outside of Spotify) get them because of a bundle with other offerings from a vendor. Spotify definitely has a following but I don't really care much and have an Apple bundle anyway.
And Spotify is barely profitable and its major competitors treat music streaming as just a slightly above break even feature to combine with other services.
I don't know. Music streaming services do pretty much follow this separation of content and service. At least unless you really care about exactly which music you can access which I think most people don't.
(That's probably partly why music streaming services don't compete on content; most people don't care exactly which funky music they're listening to as long as it is funky, and had most of the popular stuff. But they definitely care if they want to watch Stranger Things and they can't watch Stranger Things but maybe you're interested in these other crap knock-offs?)
Anyway the point is music streaming services still find ways to compete. I guess they would prefer it if they could compete on content though.